To flirt without dominating the conversation, keep your stories concise enough for the other person to join in, ask follow-up questions that prove you listened and leave natural pauses rather than filling every silence. Share your opinions and make her laugh, certainly, but notice whether she's getting a fair chance to contribute. A conversation that makes somebody feel noticed is usually a better foundation for attraction than a one-man show, however magnificent the leading man's moustache.
And I say that as a man who rather enjoys a spotlight. I've never met a spotlight I couldn't improve with a gold medallion.
Unfortunately, dinner for two comes with two speaking parts.
How to spot when you're talking too much

You don't need to time the conversation with a stopwatch. There's no scientifically ordained rule that you must each speak for precisely half the evening.
Instead, watch for familiar moments. Have you told three stories without asking what she thinks? Have you interrupted her because you suddenly remembered a "better" example? Does she begin a sentence, then abandon it when you leap in? Are you delivering answers longer than the questions she asked?
These are signs to slow down.
Equally, some people enjoy listening more than speaking. One quiet stretch isn't proof that you've done something wrong. What matters is whether she has genuine opportunities to respond, and whether she seems happy with the exchange.
Suppose she asks what you did at the weekend. You tell her about a disastrous attempt to mend a garden gate. It has a beginning, a mishap and a short ending. Then you ask about her weekend.
That's conversation.
If the same tale includes the gate's manufacturer, the history of hinges, the weather in 1987 and your views on the neighbour's hedge, it may be time to release the microphone.
A better way to tell a story on a date
The problem with a long story isn't the number of words alone. It's whether the other person can get involved.
Suppose she asks what you did last weekend. You tried sailing for the first time and immediately lost your hat. You could spend seven minutes on the wind direction, the boat's dimensions and the instructor's entire employment history. Or you could say, "I tried sailing. Managed to lose a hat before we left the harbour. Have you ever been out on a boat?"
Now she can laugh, ask what happened or tell you about her own experience. If she wants the full account, she'll ask.
A useful story has enough context to make sense, one or two interesting details and an ending. Don't make her sit through every step of the journey just because you remember it.
And if she interrupts with an excited story of her own, that's often a good sign. Let the conversation take its own course. You're here to get to know each other, not perform an audiobook.
Give answers that invite her into the conversation
A reply can be open without being a question.
She says, "I love travelling, but I hate airports."
You reply, "I'm fond of travel once the queueing has ended. I always seem to pack for three different climates and wear the same shirt twice."
She laughs and tells you about her worst airport experience.
You haven't immediately fired a question. You've offered something she can catch.
You might also say, "That sounds frustrating—what happened?" or "I know exactly what you mean about early flights. Do you prefer going by train?"
But don't attach a question to every sentence. That merely changes the performance from lecture to interrogation.
A simple pattern is to respond to her point, share a little of yours, then leave an opening.
If she takes the opening, follow her subject rather than dragging the conversation back to whatever impressive thing you were waiting to announce.
Interrupting is the fastest way to spoil a good flirtation
Sometimes an interruption comes from enthusiasm. She says she loves an obscure film; you adore it too and burst in before she can finish.
A shared interest is delightful. But if you keep doing it, she may feel that you've been waiting for a chance to talk rather than listening.
The repair is easy.
"Sorry, I cut across you. Go on."
Then actually let her finish.
Do not interrupt her again to explain how deeply sorry you are. That is just another interruption dressed as humility.
If you're both excitable talkers, there will naturally be moments when your words overlap. A laugh and a pause may be enough. You aren't conducting a disciplinary hearing.
Watch especially when she is telling you something personal. If she speaks about a difficult year, a family member or a worry, this is not your cue to introduce a larger tragedy from your own collection. Hear what she is trying to tell you first.
Turn curiosity into something flirtatious
Listening doesn't have to look solemn. You can be interested and playful at the same time.
She says she has started ballroom dancing.
"Excellent. Which of the dances is least likely to expose a man with two left feet?"
She describes the waltz.
"I knew there was a reason I liked you. You're giving me a fighting chance."
You have asked a real question, received information and added a little flirtation. Nobody has been required to laugh at a predetermined line.
Or she tells you she runs an antique stall at weekends.
"What's the strangest thing somebody's tried to sell you?"
Now you're inviting a story she's likely to enjoy. Once she's told it, use one detail to create a callback later.
The crucial difference is that your humour grows out of her answer. It isn't inserted regardless of what she says.
For more ideas about playful exchanges, how to flirt on a first date covers the early stages of romantic conversation more broadly.
Watch the conversation, not an imaginary talk-time score
You may have read advice suggesting a rigid speaking ratio. I wouldn't bother. A serious conversation about her new business may naturally involve her talking much more. A funny story about your trip might give you the floor for a few minutes.
The test is whether she seems able and willing to take part.
Does she ask you questions? Share her own stories? Disagree freely? Laugh and add something? Change the subject without difficulty?
If yes, the exchange is moving.
If she keeps offering short replies, glancing elsewhere or trying to join someone else, slow down and consider whether she wants to continue at all. Don't automatically interpret politeness as interest.
If you're on a first date and things feel stilted, you can ask about a fresh topic—or acknowledge it gently. "I've been talking about work far too much. Tell me something you're excited about this month."
Then be prepared for the answer to take the conversation somewhere you hadn't planned.
What if she asks lots of questions but rarely talks about herself?
Some people are naturally excellent interviewers. They ask about your family, interests and peculiar obsession with vintage cars, while revealing almost nothing themselves.
You don't have to keep answering indefinitely.
After responding to one question, turn a detail back to her: "That's why I love old cars. What about you—have you got something you've collected for years?"
If she still prefers not to share, don't insist. She may be private, nervous or simply not interested in that subject. Change the topic, relax or suggest another activity.
Avoid interrogating her to "balance the score". A date isn't a legal deposition, old boy.
You can also offer small observations of your own. "You have a lovely way of asking questions. I feel as though you've caught me halfway through my autobiography." If she's receptive, she'll smile or respond.
That line works because it notices an actual quality rather than praising her body or demanding personal information.
How to rescue a conversation you've already monopolised
Let's imagine you've been enthusiastic about a new business idea. You look at the clock and discover you've delivered twenty uninterrupted minutes on logistics.
There is no need to perform a grand apology in three acts.
Stop. Smile. "I've rather taken over there. Sorry. What were you saying about your new project?"
If she looks relieved, give her attention. Don't immediately interrupt to explain why you tend to talk too much when you're excited.
If she jokes about your enthusiasm, you're free to laugh with her: "Yes, I'm attempting to set the national record for words per minute. A terrible idea for a dinner date."
Then change your behaviour. The repair only counts if you actually make room.
After a date, you needn't send a lengthy confession. If the evening went well and you'd like to meet again, say so. If she says she felt unheard, take the feedback seriously rather than telling her how charming your stories usually are.
Some moments require fewer words, not better words
There are times when silence does the romantic work.
You're sitting beside each other after a play. She's smiling at the ending. Let her have the moment before asking what she thought.
You both notice a ridiculous dog wearing a raincoat. Exchange a glance. No lengthy assessment of canine fashion is required.
She shares a vulnerable memory. "That sounds important to you," might be all you need before listening further.
An attentive man doesn't become boring because he stops speaking for a few seconds. He gives the other person the pleasure of being heard.
Of course, if you're always silent because you're afraid to contribute, the solution is different. She needs to learn something about you as well. Offer an opinion, even if it differs from hers. A date should reveal two people.
Keep the banter mutual
When a joke lands, there's a temptation to keep pushing until the other person stops laughing. Don't. One good remark is often enough.
If she tells you she once fell in a river while wearing a formal dress, you might grin and say, "At least you were properly dressed for the occasion." If she laughs, let her finish telling the story.
Notice what happened: you gave her joke room, then handed the conversation back.
A different woman might not appreciate that sort of teasing, particularly if the mishap embarrassed her. If her expression changes, move on. Humour should feel shared, not like a running score.
You don't have to earn the most laughs. The aim is a conversation she can join, disagree with and remember pleasantly. An old boy with a large medallion ought to know when to relinquish the microphone.
How to end a good conversation and ask for another
If you've both enjoyed yourselves, don't make the invitation another monologue.
"I've had a lovely evening. Would you like to do this again?"
Or: "You mentioned loving Italian food. Shall we try that little place near the square next weekend?"
You've listened, remembered and suggested something specific. Leave space for her answer.
If she's keen, you'll know enough to make a plan. If she's uncertain or says no, don't talk until she changes her mind.
The finest flirtation is not an uninterrupted performance. It is the pleasure of meeting somebody who makes you want to hear the next thing she has to say.
And when you find her, don't miss the best part by talking over it.