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HOW TO CHANGE THE SUBJECT SMOOTHLY WHILE FLIRTING (WITHOUT MAKING THINGS AWKWARD)

FLIRTINGTHE ART OF MONTY ✳ EST. 2026
THE GENTLEMAN'S READING ROOMARTICLE FILE 205 / 560ALL THE MONTY FILES ↗

The conversation was going rather well. Then you spent seven minutes discussing car insurance. Here's how to escape the topic without making her feel you've stopped listening.

The easiest way to change the subject smoothly while flirting is to finish listening, pick up a natural connection and move into something you genuinely want to talk about. You can use a detail from what she's just said, return to something she mentioned earlier or simply acknowledge the change: “Actually, I've been meaning to ask you something.” There's no need to invent a clever transition every time.

A conversation doesn't need to flow like a scripted romantic comedy. Real people wander from subject to subject, get distracted by the menu and occasionally find themselves talking about potholes for far longer than anyone intended.

What matters is how you change direction.

If she's halfway through telling you about her sister's wedding, suddenly shouting, “SO, DO YOU LIKE DOGS?” is not an inspired piece of flirting.

If she's spent the past fifteen minutes telling you about her neighbour's new driveway and you're running out of enthusiasm, there's probably a graceful way to move on.

Old boy, the art is to make the next subject feel like part of the evening rather than an emergency diversion.

01 / FROM THE MONTY FILES

First, Let the Other Person Finish

Monty enjoying a social occasion, illustration for File 205
THE ART OF MONTYFILE 205 / AN ORIGINAL MONTY SCENE

Most awkward subject changes aren't caused by a poor choice of words. They're caused by timing.

She starts describing a holiday. You remember a joke about airports. Before she has finished, you jump in with your story.

Maybe your joke is magnificent. You've still interrupted her.

Allow a natural stopping point. Perhaps she reaches the end of an anecdote, asks something of you or pauses to take a drink.

Then react to what you've heard.

“That sounds like an incredible trip.”

You can follow it with a related question or share your own story.

If you're only waiting for her mouth to stop moving so you can deliver your next line, she'll probably notice.

A pleasant conversation is something you build together, not a sequence of opportunities to display your material.

02 / FROM THE MONTY FILES

The Simplest Trick: Follow a Word She's Already Used

Suppose you're discussing music.

She says she went to a tiny festival last summer, loved the atmosphere and spent half the night hunting for food.

You could move towards food: “Speaking of that, what's the best thing you've ever eaten at a festival?”

Or travel: “Was the festival near home, or did you make a weekend of it?”

Or friends: “Do you usually go with the same crowd?”

Each question has a visible connection to what she said.

You aren't steering her around like a shopping trolley. You're choosing one interesting branch of a conversation that already exists.

If she enjoys talking about the food, lovely. You may discover she used to run a little street-food business.

If she prefers telling you about the band, stay there.

The point isn't to force the subject you prepared earlier. It's to let the exchange develop.

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Five Ways to Move the Conversation Along

1. The “that reminds me” bridge

She's telling you about trying a new restaurant.

You: “That reminds me, I've been meaning to ask. Are you much of a cook, or are you sensible enough to leave it to the professionals?”

A connected subject, with room for a little humour.

Try not to use “that reminds me” for something that clearly has no connection. If she was discussing a restaurant and you immediately ask about the history of commercial aviation, she may reasonably suspect you've lost the plot.

2. Return to something she mentioned earlier

She told you at the beginning of the evening that she was learning Italian.

Later, the conversation about her commute runs out of steam.

You: “You mentioned you're learning Italian. What made you choose that language?”

This is a useful move because it shows you remembered something she cared enough to mention.

And if she gives a detailed answer, let that become the subject rather than rushing towards the next thing on your mental list.

3. Share a small story of your own

Not every new subject needs another question.

She's finished describing a family holiday.

You: “That reminds me of the time I booked a hotel on the strength of one beautiful photograph. It turned out the photograph was mostly of the hotel next door.”

She might laugh, ask what happened or offer a story of her own.

Keep yours reasonably short. You're opening a door, not beginning a ninety-minute slide show.

4. Be direct about the change

Sometimes there really isn't a natural connection.

You're talking about work, but you'd like to ask whether she enjoys live music.

You can simply say, “Changing the subject completely—have you been to any good gigs lately?”

That's far less awkward than desperately trying to invent a connection between office spreadsheets and guitar solos.

You're both adults. You may change the subject without applying for official permission.

5. Let the setting help

You're at a café. The waiter brings a dessert that looks rather like a small architectural achievement.

You: “Good grief. That thing needs planning permission. Have you tried one before?”

The new subject is sitting directly in front of you, covered in chocolate.

Observations work particularly well when you've been talking for a while and the existing subject has reached its natural end.

04 / FROM THE MONTY FILES

When You're Trapped in a Subject That's Gone On Too Long

Perhaps she's describing every stage of a very complicated house renovation.

You were interested initially. You are now on the seventeenth explanation of the plumbing.

Don't suddenly say, “This is boring. Let's talk about something else.”

You can show you've listened, then find a related route out.

“That sounds like a massive project. You'll be delighted when it's done. What are you looking forward to doing once you've got your weekends back?”

Now you're talking about how she'd like to spend her time rather than the exact position of the downstairs radiator.

And perhaps her answer is “More DIY.” That's life, old boy. Sometimes you discover that renovation genuinely is the thing somebody loves most.

You're allowed to decide whether your interests match. You aren't entitled to insist that hers become more entertaining.

05 / FROM THE MONTY FILES

How to Move Away From an Awkward Topic

This is a different situation from a subject merely running out of energy.

Imagine you accidentally ask about a recent relationship, and she makes it clear she's not comfortable discussing it.

Don't interrogate her. Don't give a speech about how open-minded you are.

Try: “Sorry, I didn't mean to put you on the spot. We can leave that.”

Then allow a moment before moving towards something neutral: “You mentioned that you've been trying some new restaurants. Found any good ones?”

She may be relieved to talk about something else.

Or you may have said something genuinely hurtful, in which case a sincere apology is more appropriate than a slick conversational escape.

A subject change shouldn't be used to avoid responsibility for an insensitive remark.

06 / FROM THE MONTY FILES

A First-Date Example: Work Talk to Something More Personal

You're out with Hannah. You've spent ten minutes talking about jobs.

Hannah: “Honestly, the traffic takes longer than the work sometimes.”

You: “That's a miserable way to spend an afternoon. What do you do to switch off once you get home?”

Hannah: “I like going swimming.”

You: “Indoor pool, or are you one of those brave people who actually goes into the sea?”

Hannah: “The sea, if it's not freezing.”

You: “So only the twelve warm minutes we get each August?”

She laughs and tells you she goes most weekends.

You ask where, and suddenly the conversation has moved from traffic to the things she enjoys doing.

Nobody announced a new chapter. You asked one question that grew from the existing topic.

It's not a guaranteed flirtation technique. It's simply a more enjoyable way to get to know someone.

07 / FROM THE MONTY FILES

A Party Example: When a Group Conversation Gets Stuck

You're at a birthday gathering with three other people.

Somebody starts talking about local parking restrictions. Another person has strong opinions about parking permits. You're beginning to suspect the evening is going to end with a presentation to the council.

You don't need to drag the whole group into an unrelated question about romance.

Wait for the topic to pause.

“Changing the subject before we all join the council—is anyone going to that outdoor cinema night next weekend?”

Perhaps the conversation moves towards films. Perhaps somebody has a story about the last event. If nobody picks it up, you can just let the group find its own direction.

Trying to control every subject in a group can be as awkward as sitting through the longest account of parking regulations.

And if the woman you're interested in doesn't follow your new topic, you haven't failed a test. She may actually find parking permits fascinating.

There's a lid for every saucepan.

08 / FROM THE MONTY FILES

A Texting Example: From a Dead-End Reply to a New Subject

You message: “How was work?”

She replies: “Long day!”

You could ask five more questions about her job. Or you could acknowledge the answer and offer something of your own.

“Sounds like you deserve a quiet evening. I've just tried making lasagne and created something the Italians would consider a criminal offence.”

Now she has a story to respond to.

But don't take a short reply as proof that she's desperate for you to supply more entertainment. She may simply be busy.

If you've sent something friendly and she doesn't engage, leave her to it. The smoothest subject change in the world cannot manufacture mutual interest.

And don't send three separate attempts to find a subject because she hasn't answered the first one.

09 / FROM THE MONTY FILES

When You Want the Flirting to Feel a Little More Personal

Sometimes you want to move from general chat into showing that you particularly enjoy her company.

You could be discussing a shared hobby when she tells a funny story.

You: “I like the way you tell a story. You make complete disasters sound like good adventures.”

She laughs and asks what your most ridiculous holiday experience was.

That's a natural little step towards more personal attention.

Or you might say at the end of a good conversation: “I've really enjoyed talking with you. Would you fancy continuing this over coffee sometime?”

Notice the distinction.

A subject change is about what you're discussing. Flirting is about the warmth and interest between the two of you.

You can change the subject beautifully without being romantic at all. And you can flirt without changing the subject.

Don't mistake a clever transition for evidence that she's attracted to you.

10 / FROM THE MONTY FILES

What If You Can't Think of Anything New?

This happens more often when you're nervous.

You finish talking about the restaurant. Silence. You look at the table and discover that your mind has gone as empty as the bread basket.

Try something ordinary.

You can revisit a detail she mentioned earlier.

You can offer an observation about the room or music.

You can tell a little story about your week, provided it's not a ten-minute lecture on the number of potholes outside your house.

And you can allow the silence to sit there for a moment.

A date doesn't require uninterrupted speech. Sometimes you're both quite comfortable having a drink.

If the evening is full of forced transitions despite your best efforts, it might simply mean the conversation isn't flowing naturally between you. That happens. It doesn't make either person defective.

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Don't Turn Transitions Into a Memorised Routine

You may have seen those lists of phrases: “Speaking of which,” “By the way,” “That reminds me,” “On another note.”

They're useful words. They're not a script.

If you use a different phrase every ninety seconds, you'll sound like a radio presenter desperately introducing the next record.

You can move subjects without announcing it at all.

She says she adores Spain. You ask where she'd most like to visit next.

She says she loves dogs. You mention your friend's spaniel, who apparently believes every shoe belongs to him.

One thought leads into another.

The least natural thing you can do is become so focused on sounding natural that you stop listening.

12 / FROM THE MONTY FILES

If She Changes the Subject, Follow Her Lead

Suppose you ask about her job. She answers briefly and immediately asks about your weekend.

Perhaps she doesn't want to talk about work. Perhaps she's much more interested in what you did on Saturday.

Answer her.

Don't drag the conversation back to her job because that's what your imaginary plan said to discuss next.

Likewise, if you're sharing something personal and she repeatedly changes the subject, you might discover that you prefer different kinds of conversation.

You can notice that without blaming her.

Good interaction is a two-way business. You get to bring subjects, and she gets to choose them too.

13 / FROM THE MONTY FILES

What About a Date That Keeps Returning to Her Ex?

This can be awkward.

She tells you about her ex. You listen. You make a gentle attempt to move onto something else. Five minutes later, the ex returns.

You don't have to sit through an entire evening of relationship history if you're not comfortable with it.

You might say: “I understand that's a big part of what you've been through. Would you mind if we talked about something else for a bit? I'd really like to get to know you.”

That's clear without being cruel.

If the subject keeps dominating, you can decide afterwards that she may not be ready to date—or simply that the two of you weren't suited.

Don't diagnose her emotional state or tell her what she should be over. You're having dinner, not conducting a clinical assessment.

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An Easy Habit to Practise

The next time you talk to a friend, pay attention to the moment a subject ends.

Don't panic-fill the gap.

Wait a second. Pick up on an interesting detail, mention something relevant or simply say, “I've been meaning to ask you…”

Notice how little ceremony is required.

If you get distracted and interrupt, apologise and let the person finish.

If a joke fails, move on.

If you can't find a bridge, being direct is perfectly acceptable.

You'll get used to subjects changing in their own time rather than trying to operate a conversational railway signal box.

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Monty's Verdict

To change the subject smoothly while flirting, stop worrying about the perfect connecting phrase.

Listen first. Move when there's a natural pause. Follow a detail she's offered, return to something she mentioned earlier or admit that you're changing direction.

If the previous topic mattered to her, show that you've heard it. If it was uncomfortable, respect the boundary rather than trying to escape responsibility.

And if you wind up discussing car insurance for ten minutes, old boy, remember you are allowed to ask about something else.

You do not have to wait until the policy renewal date.

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