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THE MONTY FILES / ISSUE 189ARTICLE FILE 189 / 560

HOW TO KEEP FLIRTING FUN WHEN YOU'RE BOTH NERVOUS

FLIRTING & BANTERTHE ART OF MONTY ✳ EST. 2026
THE GENTLEMAN'S READING ROOMARTICLE FILE 189 / 560ALL THE MONTY FILES ↗

When you're both nervous, the best way to keep flirting fun is to lower the pressure. Choose a simple setting, laugh gently at small mishaps, ask easy questions and allow the conversation to start slowly. If it feels natural, admit that you're a little nervous yourself. The goal isn't to eliminate the butterflies. It's to make the evening comfortable enough that you can enjoy each other in spite of them.

And if both of you are nervous, old boy, that's rather encouraging in one respect: you're at least having a human experience together.

Picture the scene. You've arranged to meet a woman for coffee. She's standing by the door looking as though she's forgotten what to do with her hands. You're inside pretending to study a menu you've already read three times.

You recognise each other. You smile. She says hello. You say, “Great, thanks,” although she hasn't asked how you are.

An excellent start. Shakespeare would be devastated.

The good news is that these first-minute calamities don't have to spoil a thing.

01 / FROM THE MONTY FILES

When Two Nervous People Meet, Someone Has to Stop Performing

Monty with friends in a stylish social scene for File 189
THE ART OF MONTYFILE 189 / AN ORIGINAL MONTY SCENE

There is a particular kind of tension when both people are trying hard to make a good impression.

She thinks, “I hope he doesn't find me boring.”

You think, “I hope I don't sound ridiculous.”

She doesn't know what to say, so she asks a safe question. You answer it too briefly because you're worrying about your own voice. She takes that as a sign you aren't interested. You read her sudden quietness as proof you've blown it.

Before you've even ordered, each of you has developed an entirely imaginary theory about what the other is thinking.

The way out isn't a perfect opening line. It's a little ordinary warmth.

“It's lovely to meet you. Shall we find a table?”

“I'm glad we managed to arrange this. Have you been here before?”

“I'm going to order something simple or I'll still be standing here choosing at Christmas.”

You don't have to be startlingly interesting within the first thirty seconds. You only have to make it easy to begin.

02 / FROM THE MONTY FILES

Pick a Date That Gives You Something to Do

If you're both nervous, a three-hour formal dinner can feel like sitting opposite one another for an examination.

A short coffee, a stroll through a public park, a small market or a modest exhibition often provides more breathing room.

You have something to look at. You can move. If the conversation pauses, you can enjoy the surroundings instead of staring at a bread basket and wondering whether this is the end of romance as we know it.

A café is useful because ordering drinks gives you a natural first task. A gallery gives you something to discuss that isn't your employment history. A walk can make eye contact less intense, provided it's somewhere safe and suitable for both people.

Ask what she would enjoy rather than deciding that every nervous woman needs to be marched around an art museum.

The best choice is usually somewhere public, relaxed, affordable and easy to leave. If you both have a lovely time, you can always agree to stay longer.

The very possibility of a short, manageable date takes some of the pressure away.

03 / FROM THE MONTY FILES

Make a Little Room for the Awkwardness

You don't need to announce that you're having a nervous breakdown every time you search for a word.

But one gentle acknowledgement can be surprisingly helpful.

She drops her napkin while you're both trying to decide what to order.

You: “I'm glad we're setting such a dignified tone for the afternoon. I've already forgotten half the coffee menu.”

She laughs: “Me too. I'm a bit nervous, actually.”

You: “Same here. That's two of us, then. We can stop pretending we're experts.”

A little smile. A coffee ordered. And suddenly neither person needs to disguise every bit of awkwardness.

The trick is to acknowledge it and carry on.

Don't spend the next forty minutes talking about how awkward you are. Don't ask her repeatedly whether she's uncomfortable. And don't demand reassurance every time you lose your train of thought.

You can be open without making her responsible for your nerves.

04 / FROM THE MONTY FILES

Three Low-Pressure Ways to Start a Conversation

Begin with something you've both noticed

At a café:

You: “I thought choosing somewhere with a short menu would be sensible. They've managed to write a novel about hot drinks.”

Her: “I know. I only wanted a tea.”

You: “Good. We can form the traditional-drinks society.”

If she smiles and joins in, lovely. If not, order your tea and begin talking about something else.

Return to something she mentioned before the date

You met online, and she said she loved vintage shops.

You: “You told me you once found a beautiful old lamp for almost nothing. Was that the one you were planning to restore?”

Her: “Yes! I finally finished it.”

You: “Now that I need to see. I'm trying to picture whether it looks elegant or whether I've imagined an enormous lighthouse.”

This helps because you're not inventing a topic. You're showing that you listened when she told you something.

Start with a very small opinion

At a weekend market:

You: “Controversial question. Is this a proper doughnut or has it become a dessert pretending to be one?”

Her: “It's definitely a dessert.”

You: “Right. We agree on that. An excellent beginning.”

The subject is so gloriously unimportant that neither of you needs to produce an impressive answer.

05 / FROM THE MONTY FILES

What if the First Joke Doesn't Land?

Then it doesn't land.

Your joke about an extravagant cake meets silence. She looks uncertain. You smile and say, “I think the cake deserved a better joke than that.”

Move on.

There is no need to perform an emergency stand-up set to make up for the loss.

The mistake anxious people make is to interpret one awkward exchange as an assessment of the entire date.

But think about an ordinary conversation with somebody you know well. Do you remember every joke that failed? Every pause? Every sentence you started twice?

Of course not. You're enjoying being together, not marking each other out of ten.

Offer yourself—and her—the same courtesy on a date.

06 / FROM THE MONTY FILES

Use the Two-Way Conversation Rule

When both people are nervous, it's easy for the conversation to become one person asking questions and the other supplying short answers.

Try a more relaxed rhythm.

Ask about something. Listen. Follow the interesting detail. Then contribute a little of your own experience so she has something to respond to.

She says she loves visiting seaside towns because she grew up by the coast.

You: “I can understand that. I grew up nowhere near a decent beach, so a trip to the seaside still feels like a small holiday. What do you miss most about living there?”

Her: “The early-morning walks, actually.”

You: “That's rather lovely. I'm more likely to be searching for breakfast at that hour.”

She laughs and tells you where she used to go.

Your small personal detail takes some pressure off her. Her answer gives you another route into the conversation.

You can do this even if you're both quiet people. It doesn't require fast banter. Just curiosity and a willingness to contribute.

07 / FROM THE MONTY FILES

The First Ten Minutes: What Actually Helps

Arrive without rushing if you can. There is nothing like sprinting from a car park to begin a date already resembling a boiled lobster.

Say hello warmly. Decide where to sit. Order something. Start with an ordinary topic.

If you met online, refer to something from your messages rather than asking her to repeat her entire profile.

If you met through friends, you might talk about how you know them, then move on to what you each enjoy doing.

Don't judge the first ten minutes too harshly. Some people relax quickly; others need a little longer.

If you're still uncomfortable after half an hour, that doesn't automatically mean you're wrong for each other. Nor does it mean you must continue indefinitely. A date can simply be okay rather than magical, and you can decide afterwards whether you'd like another.

08 / FROM THE MONTY FILES

When She Says She's Nervous

Avoid making a great drama of it.

Don't reply, “Why on earth would you be nervous around me?” as though you have an international reputation for putting people at ease.

And don't assume she's telling you because she wants you to immediately become physically affectionate. She may just be explaining how she feels.

Try: “I was nervous too. It's lovely to finally meet you.”

Or: “No pressure. We can take our time.”

Then behave accordingly. Let her finish her sentences. Don't rush intimate questions. Don't treat quietness as a flaw she needs to overcome.

If the conversation becomes playful, enjoy it. If it stays a little gentle, that's fine too.

Being considerate is more impressive than declaring how considerate you are.

09 / FROM THE MONTY FILES

What If You're Worried She's Not Interested?

This is one of the trickiest things about mutual nerves: hesitation can look like indifference.

A woman might look away while thinking or give short answers because she's unsure what to say. You might do the same. Neither action proves anything about attraction.

Notice more than a single moment.

Does she make some effort to talk? Does she seem comfortable staying? Does she ask things about you once she settles? Are you both gradually enjoying the time?

At the same time, don't use “she must be nervous” to explain away every sign that she wants to leave.

If she says she's not interested, respect it. If she clearly wants to finish, be gracious. You can say, “It was nice meeting you. Take care.”

Nerves deserve patience, not mind-reading.

10 / FROM THE MONTY FILES

A First-Date Conversation That Starts Badly and Gets Better

You arrive at a little coffee shop.

You: “Hello! Sorry, I nearly walked past. I was looking for someone in a green coat, but apparently everybody in town owns one.”

Her: “It's fine. I didn't recognise you at first either.”

You: “Excellent. We've both passed the identification test.”

She smiles, but neither of you has much else to say.

You order drinks. There's a little silence.

You: “You mentioned you were going to see your sister last weekend. How was it?”

Her: “Really good. We went to a pottery place.”

You: “Pottery? How did that go?”

Her: “I made a bowl. It looks like somebody sat on it.”

You: “Ah. An experimental design. Will it hold soup or is it purely decorative?”

Now she laughs properly and describes the afternoon. You tell her about your own disastrous attempt at a craft activity. You discover she enjoys trying new things, and you realise she likes stories more than small talk.

It hasn't become perfect. It's simply become easier.

That's what you're looking for.

11 / FROM THE MONTY FILES

Don't Use Drink as a Substitute for Courage

A pint or glass of wine with dinner is one thing. Deciding you need several drinks before you can make conversation is another.

You want to remember the date, make sensible decisions and be able to read whether the other person is comfortable.

If you're worried about nerves, choose a lower-pressure setting instead of relying on alcohol to manufacture a different personality.

And never push somebody else to drink so they'll relax around you.

Good flirting depends on both people being able to choose what happens next.

12 / FROM THE MONTY FILES

When a Quiet Moment Is Actually Pleasant

Once you've relaxed a little, you'll notice that silence can feel different.

Perhaps you're walking along the seafront. You stop to watch a dog enthusiastically lose an argument with a wave.

Nobody speaks for a few seconds.

There is no crisis.

You smile. She smiles. Then she tells you she used to bring her family's dog to the same beach.

Not every gap needs filling. Sometimes trying to fill them all makes a conversation exhausting.

If a silence feels tense, you can pick up a subject you were already discussing. If it feels comfortable, enjoy it.

And if you're both laughing at your occasional awkwardness, you might already be having a pretty good date.

13 / FROM THE MONTY FILES

Should You Tell Her You Fancy Her?

You don't have to launch into a declaration because you've finally managed to order coffee successfully.

But you also don't need to hide behind nerves forever.

If the date has been enjoyable and you'd like another, say so near the end.

“I've really enjoyed today. Would you like to meet again?”

Simple. Clear. No speeches.

If she says yes, you can arrange something that suits you both. If she isn't interested, accept the answer warmly.

Nerves are not evidence that either person owes the other a second chance. They're simply part of being human.

14 / FROM THE MONTY FILES

A Practical Way to Make Your Next Date Easier

Beforehand, choose a comfortable place and confirm the plan. Think of two things you're genuinely curious about from your previous conversations.

When you arrive, focus on making the first five minutes pleasant rather than impressive.

During the date, offer short stories as well as questions. Let small jokes happen when the opportunity appears. If you're nervous, one light admission is perfectly fine.

Afterwards, judge the whole experience. Did you enjoy her company? Did she seem to enjoy yours? Would you be interested in seeing her again?

Don't conduct an hour-by-hour investigation into the moment you dropped a spoon.

You could spend an entire dinner searching for a napkin that's been tucked into your collar all along. A dreadful evening for the napkin, but there we are.

15 / FROM THE MONTY FILES

Monty's Last Word

If you're both nervous, stop trying to make the date look like a film.

You don't need perfectly timed lines, music swelling in the background or a dramatic moment beneath a streetlamp.

You need two people with enough breathing room to get to know each other.

Take the pressure down. Notice what's funny. Be curious. Tell a small story. Let the quiet moments exist.

If the connection is there, a nervous beginning can become a wonderful memory.

And if there isn't a romantic spark, old boy, you've still managed to spend an afternoon behaving like a decent human being. That's not a failure.

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