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HOW TO USE HUMOUR WHEN FLIRTING WITHOUT TURNING THE DATE INTO A COMEDY SHOW

FLIRTING & BANTERTHE ART OF MONTY ✳ EST. 2026
THE GENTLEMAN'S READING ROOMARTICLE FILE 187 / 560ALL THE MONTY FILES ↗

The best way to use humour when flirting is to find something you both find amusing, play with it gently and make her feel part of the joke. You don't need a collection of one-liners or a stand-up routine. A quick observation, a silly exaggeration, an affectionate bit of banter or a willingness to laugh at yourself can make a conversation warmer. What matters is whether she's enjoying it with you.

There's a difference between making a woman laugh and making her feel she's been cornered by a man auditioning for Live at the Apollo.

I could walk into a supermarket in a silk shirt and imagine the fruit aisle ought to applaud. The fruit aisle, I suspect, would disagree.

The lesson is simple: humour can make flirting wonderful, but it works better as something two people share than something one person performs.

01 / FROM THE MONTY FILES

Start With the Situation You're Both In

Monty with friends in a stylish social scene for File 187
THE ART OF MONTYFILE 187 / AN ORIGINAL MONTY SCENE

Most good flirting doesn't begin with a prepared joke. It begins with noticing something that has just happened.

Perhaps the menu has six varieties of chips, each described as if it were a rare wine. Perhaps the little dog at the next table has its own chair. Perhaps the waiter has announced the dessert special with the seriousness of a man delivering the Budget.

You don't need to be dazzling. You just need to notice.

At a café, she studies a complicated coffee menu.

You: “I came in wanting a coffee. Apparently I now need a qualification.”

She: “I'm still trying to work out what half of them are.”

You: “If either of us accidentally orders a drink with a name longer than our address, we'll have to pretend we meant it.”

Now you have a shared moment. She might play along, she might ask what you actually drink, or she might prefer to choose her coffee in peace. All three possibilities are perfectly manageable.

The humour is anchored in reality. You're not asking her to admire a joke that would fit any stranger in any room.

02 / FROM THE MONTY FILES

Let Her Be Funny Too

Some men treat being the funny one as their entire dating strategy. They talk, entertain, interrupt and search for the next laugh. When the woman across the table tells a funny story, they jump in with a better one.

That's not flirting. That's two comedians competing for the same microphone, except only one of them knows there's a competition.

If she makes a sharp observation, enjoy it. Laugh. Ask what happened next. Perhaps add a little thought of your own, but don't rush to reclaim the stage.

Imagine she tells you her parents bought a robot vacuum cleaner, and the family dog now follows it around looking offended.

You: “So the dog's taken on a supervisory role?”

She: “Pretty much. He barks if it goes near his basket.”

You: “Territorial dispute with an appliance. I hope they're documenting everything.”

Her: “My dad actually filmed it.”

You: “Now that's a film I'd pay to see.”

You've kept the joke alive without stealing the story. And if she says something funnier than you, magnificent. You're enjoying a person, not defending a title.

One exploratory study of speed-dating conversations found that simultaneous laughter was associated with mutual dating interest, although that doesn't turn a shared laugh into proof of attraction. The useful everyday point is humbler: laughing together matters more than counting how many times you made her laugh.

03 / FROM THE MONTY FILES

Use Three Kinds of Humour That Usually Have Somewhere to Go

1. The playful observation

You notice something ordinary and give it a harmless twist.

At a bookshop: “That cookbook looks lovely, although the recipe takes four hours and requires a blowtorch. I may stick to toast.”

At a museum: “I'm admiring this sculpture mainly because I couldn't make anything remotely similar with a lifetime and a very large shed.”

At a party, looking at an enormous birthday cake: “That could feed the entire county. Has the host invited us all or is there a secret second party?”

These comments offer her something to react to. They're not a test she must pass.

2. Gentle exaggeration

Exaggeration works when both people understand you're being ridiculous.

She says she makes excellent roast potatoes.

You: “That's a serious claim. I may need references.”

She: “I have witnesses.”

You: “Good. I don't involve myself in potato-related matters without evidence.”

It's nonsense, and that's why it can work. The subject is trivial, nobody's dignity is at stake and the joke gives her room to join in.

Compare that with exaggerating a personal flaw: “You took five minutes to choose? You must be impossible to live with.” That may sound more like criticism than flirting, especially when you barely know one another.

Make the situation ridiculous, not the person.

3. Self-aware humour

A little honesty about your own minor mishaps can make you easier to know.

You can't find your reading glasses. “I've reached the age when I need glasses to locate my glasses.”

You spill a drop of coffee on your napkin. “A graceful performance. I'd like to thank the academy.”

You admit you were dreadful at ice skating. “I spent more time exploring the ice horizontally than vertically.”

But don't turn self-awareness into a steady stream of self-insults. “I'm ugly, stupid and nobody ever likes me” is not a witty opening. It makes the other person wonder whether she's supposed to reassure you.

One small joke at your own expense is charming. A running campaign against yourself is exhausting.

04 / FROM THE MONTY FILES

The Difference Between a Funny Comment and a Flirty One

Humour alone doesn't tell a woman you're interested. You can make a whole room laugh without flirting with anyone.

The romantic element often comes from giving her a little extra attention.

She tells a great story about getting lost in Lisbon.

Friendly: “That's hilarious. What happened next?”

A little more flirty: “I like how you turn a travel disaster into an adventure. I'd probably be filing a formal complaint with the map.”

The second response notices something about her and includes a playful contrast between you.

You needn't use the same tone throughout. A perfectly normal question about what she enjoyed in Portugal can come next.

Don't stack flirtatious remarks until she's buried under them. If she's enjoying the exchange, it will have space for both joking and sincerity.

05 / FROM THE MONTY FILES

Three Conversations Where the Humour Changes the Atmosphere

Two people waiting at a friend's barbecue

Her: “I think he's burned the sausages.”

You: “Burned? They're one step away from becoming historical artefacts.”

Her: “He's been telling everyone he's an expert.”

You: “Confidence is an extraordinary thing. What would you trust yourself to cook for a crowd?”

Her: “My lasagne's pretty good.”

You: “A brave declaration in front of a witness. I admire it.”

You've started with something visible and moved into getting to know her. There's no point at which you announce that the flirting has begun.

A first date at a little Italian restaurant

Her: “I can't decide between the two pasta dishes.”

You: “I'm no help. I chose mine by pointing at a photograph.”

Her: “That's your entire decision-making process?”

You: “Only for important matters. For a holiday I also check whether the beach has a dog.”

She laughs and tells you about an awful holiday decision she once made. Let her tell it. When she finishes, you can say, “I'm glad I'm not the only person who occasionally lets enthusiasm overrule common sense.”

The humour has done something useful: you've learned a little about how you both think.

Two people who aren't naturally jokers

She: “I tried growing tomatoes last summer. Nothing.”

You: “I bought a basil plant. I managed to kill it while following the instructions printed on the pot.”

She: “That's impressive.”

You: “Thank you. I don't like to boast.”

She smiles, and the conversation turns to gardens, cooking or pets. That's enough. Nobody needs a second punchline.

06 / FROM THE MONTY FILES

Watch the Response Without Playing Detective

Does she smile genuinely? Does she add to the joke? Does she make a playful remark of her own? Those can indicate that the conversation is comfortable.

But laughter isn't a promise of romantic interest. People laugh out of politeness, nerves and a genuine appreciation of silliness. You have to take the whole situation into account.

If she doesn't laugh, don't panic and don't tell her she has no sense of humour. Perhaps it wasn't funny to her. Perhaps she didn't hear. Perhaps her mind is elsewhere.

Move on. Ask about something she said earlier. The ability to recover without making a scene is rather more attractive than demanding a refund on an unsuccessful joke.

If she's clearly uncomfortable, stop. If you've accidentally made a hurtful comment, apologise without defending your comic genius.

07 / FROM THE MONTY FILES

Humour That Usually Causes Trouble

Jokes about her appearance, age, weight, background, insecurities or past relationships are poor early-date material. They can land as insults even if you've told yourself you're “only teasing”.

Sexual jokes before you've established that kind of mutual comfort can make a perfectly pleasant chat unpleasant in seconds.

And avoid the old trick of saying something cruel, then dismissing her reaction with “Can't you take a joke?” If she is hurt, the argument about whether it was technically funny is beside the point.

A 2013 study examining different humour styles in romantic initiation found that positive, affiliative humour was preferred to aggressive styles in the context of long-term romantic interest. You don't need to memorise the research to understand the practical lesson: warmth tends to make better company than putting someone down.

Sarcasm is another tricky one. A man who's sarcastic with his closest friends may be misunderstood by somebody who's only known him twenty minutes. More on that in its own guide; for now, use a gentler setting until you know each other's humour.

08 / FROM THE MONTY FILES

When You Aren't a Naturally Funny Man

Excellent news: you're not required to be.

You might have a dry sense of humour, enjoy witty observations or rarely joke at all. You might simply laugh easily when someone else says something funny.

A comfortable, interested listener can be wonderful company. So can a man who tells one ridiculous story at precisely the right moment.

If you are especially nervous, don't rehearse twelve jokes. Think instead about one or two things you genuinely find amusing: pets, travel mishaps, odd habits, absurd menus, films you both know.

Then allow the real conversation to choose what comes up.

You cannot manufacture a shared sense of humour by forcing the same line into every date. But you can leave room for a shared one to appear.

09 / FROM THE MONTY FILES

What About Humour Over Text?

Without facial expression or tone, a playful comment can be easier to misunderstand.

If she messages, “I've spent the whole afternoon trying to assemble a bookshelf,” you could reply, “I admire your ambition. My last attempt involved three leftover screws and a considerable loss of dignity.”

That's safer than “You're hopeless at DIY then,” which may not sound affectionate to somebody who doesn't know you well.

One light remark can brighten an exchange. Ten joke messages in a row can become a little performance in a very small theatre.

Let her answer. If she asks you something sincere, answer sincerely. Don't keep dodging real questions with quips.

10 / FROM THE MONTY FILES

Knowing When to Drop the Comedy

Suppose she's talking about a difficult week, an elderly parent or a friendship she's worried about. You may normally joke together, but this might be a moment for listening.

“I'm sorry, that sounds difficult. How are you managing?”

No joke needed.

Being funny doesn't mean treating every subject as comic material. In fact, being able to switch from playful to serious makes the playfulness feel more genuine.

She gets to meet a person with judgment, not a machine that dispenses punchlines whenever somebody inserts a conversation.

And if you're both having a wonderful time, you can stop trying to improve it. Have another sip of your drink and enjoy being there.

11 / FROM THE MONTY FILES

Turn Shared Laughter Into a Real Connection

The best next step after laughing together is often an ordinary question.

“You mentioned you used to live abroad. How did that come about?”

“You clearly know your films. What have I missed lately?”

“I've enjoyed talking to you. Would you like to carry this on over coffee next weekend?”

You've moved from entertainment to curiosity to a possible invitation without a complicated manoeuvre.

If she declines, be gracious. You can have a lovely conversation with a woman who isn't romantically interested, and you can leave it there without resentment.

Humour opens possibilities. It doesn't entitle you to anything.

12 / FROM THE MONTY FILES

A Little Assignment From Monty

The next time you're chatting to someone—anyone—notice one mildly funny thing happening around you. Say something about it if the moment fits. Then return your attention to what the other person says.

That's the exercise. Not memorising jokes. Not making a woman laugh seven times before asking for her number. Just learning to share a bit of amusement without making it your entire job.

If your remark falls flat, carry on. If it sparks a laugh, enjoy it. If she comes back with something funnier, all the better.

At the end of a good date, you want her thinking, “I enjoyed his company.”

Not, “I must remember to leave a five-star review for his performance.”

Monty's final word: Be playful, be kind, notice what's happening, and let her be funny too. That is how humour becomes flirting rather than a one-man show.

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